That's not Going in the Article, is It?

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Fermin Magnus спросил 3 дня назад

The movie yielded a list of tie-in and licensed products, including the «Cars Original Motion Picture Soundtrack» from Walt Disney Records, featuring original music performed by superstars Sheryl Crow, James Taylor, and Brad Paisley; new recordings of road classics by multi-platinum artists Rascal Flatts and John Mayer; and contributions from Academy Award- and Grammy-winning composer Randy Newman. Vicki Arkoff is entertainment editor for Sweet 16 magazine, and is one of MAD Kids’ and MAD Magazine’s «usual bunch of idiots.» She also writes for Nickelodeon Magazine, Disney Adventures, Tiger Beat, Bop, Sugar (UK), Girlfriend (Australia), and TV Hits (UK, Australia & Germany), and is an authorized biographer and co-writer for such youth-market superstars as Hilary Duff, Jesse McCartney, The Cheetah Girls, Raven-Symone, Emma Roberts, Drake Bell, JoJo, Carrie Underwood, and Kelly Clarkson. The driving force behind «Cars» is animation king John Lasseter, chief creative officer at Pixar Animation Studios and Walt Disney Feature Animation and the principal creative advisor for Walt Disney Imagineering. Pixar Animation Studio’s creative team in Northern California and the fourth from two-time Academy Award-winning director John Lasseter («Toy Story,» «Toy Story 2,» and «A Bug’s Life»). For «Cars,» more than 100 unique car characters were created, and director John Lasseter insisted that they look as real as possible.
Steve May, the effects supervisor for «Cars,» brought that same level of scrutiny to nearly half of the film’s 2,000 shots. Joe Ranft, who also served as story supervisor for the film and voiced several incidental characters. Among the numerous effects created for the film were dust clouds trailing behind cars, tire tracks, skid marks, water, smoke, and drool (from Mater’s front end). Great American artists like Maynard Dixon also had a big influence on us with their landscapes of the Southwest and the clouds that they painted. The forms are a little whimsical,» he says. «You see car shapes on the cliffs, and the clouds are stylized. Ranft passed away in a car accident in August 2005, so the film «Cars» was dedicated to him as a fitting tribute. Suddenly I realized what the film needed to be about,» he says. «That the journey in life is the reward.Downtown Los Angeles
He was the perfect character to be forced to slow down, the way I had on my motor home trip for the first time in my professional career,» Lasseter says. «The unique thing about Pixar films is that the stories come from our hearts. Route 66 is a mirror held up to the nation,» says Wallis. «This highway is the most famous in the world, and it represents the great American road trip. It was a beautiful road that wound perfectly around the environment, right next to the interstate that went right through a beautiful butte,» recalls Pauley. «As we were sitting there, a truck pulled up with an older Native American and his grandchild. Another big accomplishment was the ground-locking system that kept the cars firmly planted on the road. Eben Ostby. «In the past, we’ve mostly used environment maps and other matte-based technology to cheat reflections, but for ‘Cars’ we added a ray-tracing capability to our existing Renderman program to raise the bar.» Jessica McMackin was responsible for rendering the film’s final images, while Tony Apodaca had to figure out how to minimize the rendering time. New friends Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by Paul Newman), Sally Carrera (a snazzy 2002 Porsche, voiced by Bonnie Hunt), and Mater (a rusty but trusty tow truck, voiced by Larry the Cable Guy) help McQueen realize that there are more important things than trophies, fame, and corporate sponsorship.
Luckily, you can take several steps to help maintain your defenses against all the road can throw at you. This type of spacecraft, which would be jolted through space by electromagnets, could take us farther than any of these other methods. Lasseter. Supervising animators Doug Sweetland and Scott Clark, and the directing animators, Bobby Podesta and James Ford Murphy, worked with the animation team to determine the unique movements for each character based on his or her age and car type. One of the biggest decisions affecting the design and animation of the car characters was the placement of the eyes. For the design of «Cars'» central character Lightning McQueen, the team used a standard stock car as its starting point then studied what made racing cars so cool. To ensure authenticity in its car designs, the production design team conducted research at auto shows, spent time in Detroit with auto designers and manufacturers, went to car races, and made extensive studies of car materials. Animating car characters had its share of challenges for the team.

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